Hitoyogiri Beginnings: Oshiki, the Summer mode (July - September)

Everyone starts here. The Oshiki class covers all of the pieces in the Summer mode, as well as the basics of playing, including techniques specific to hitoyogiri - this gives you a solid foundation for the other modes as well. Most pieces also include some historical notes about who wrote them, where they came from, etc. You'll receive materials each week via email with the pieces we'll be learning as well as translations from playing manuals dating back to around 1600.

Sakaguchi Yuzan- Sensei Collaboration On Youtube

Tairyu Hokyoku Cd Collection

2024 Festival Reflections

I’ve been home from the 2024 Taibo Shakuhachi Festival for almost two weeks now. Some of my shakuhachi friends and students have asked me how it was, but it’s difficult to convey the immersive nature of these gatherings. Now that I’ve had time to reflect on it, I’ll give it a shot.

Encuentro Latinoamericano de Shakuhachi

¡Inimaginable, pero hasta donde yo sé, nunca ha habido un evento así! Luego estoy muy orgullosa de ser parte del equipo de los organizadores y que asumimos el reto de reunir a este grupo maravillosamente diverso de tocadores por primera vez en 2025. Ciertamente, los sopladores vienen de muchos linajes diferentes o no tienen linaje. Así que nuestro propósito es unir a lo más de escuelas y tocadores posibles para disfrutar el sonido de la Shakuhachi juntos y compartir las diferentes ideas y estilos.

Japan 1745 is a land under the iron grip of the Tokugawa shoguns. Roads are monitored,

dissent stifled, and order maintained through blackmail and an extensive network of informers.

Amid rumors of rebellion, Kurosawa Kinko – samurai and monk – is expelled in disgrace as the

head music instructor of his Zen temple in Nagasaki. He begins an odyssey across Japan, dogged

Nick Bellando here, I'm starting another section of the hitoyogiri shakuhachi online class, beginning in October. We'll meet on Zoom at 8pm Japan time every Monday for three months. This class covers everything you need to get started. We learn the repertoire of the standard Oshiki mode, along with all of the basic techniques. Each session lasts about an hour, including time for questions, advice, etc. Each session is recorded, so you are free to participate at your own timing if the lesson times don't work out for you, and you can still ask questions via email. Each session also includes scores and translations from ancient (Muromachi and early Edo-era) hitoyogiri manuals, which provide the bulk of material for us to learn from.

Robin Tamura recently had the unexpected pleasure of being invited to play shakuhachi at the Colorscape Music Festival in London. It was quite a surprise, since I’ve only recently started teaching and performing publicly. The invitation came from London-based Xiao player Dennis Lee, who found me on Instagram while searching for a Japanese-looking shakuhachi player in Europe.

Less Than a Month Away from Our Next Yozan Shakuhachi Giveaway!

Over the last several months, the Tairyu Shakuhachi YouTube channel has seen a surge of activity. Regular viewers of the channel may recall that Tairyu celebrated the 10,000th subscriber just a few months ago, with a top 10 “Forbidden Songs” playlist. Now, driven by new types of videos and livestreams, the channel is racing toward 20k.

In 1959, the great Japanologist and Ethnomusicologist William Malm once said about the hitoyogiri…

”It [Hitoyogiri] was used occasionally as an addition to lighter shamisen music such as kouta, but twentieth-century attempts to revive it have been isolated, 

and it seems unlikely that the hitoyogiri will ever come into general use again.” 

(Japanese Music and its Instruments, pg 153.)

Welcome to the Tairyu Shakuhachi official website! We are thrilled to announce our latest initiative aimed at promoting the beauty and artistry of traditional Japanese music: the Tairyu Shakuhachi Giveaway. This exciting event provides a unique opportunity for enthusiasts and newcomers alike to win a high-quality shakuhachi flute and delve into the world of this captivating instrument.

Read about some of the claims about the Komuso here.

As a performer, one of my great joys has always been playing new compositions written specifically for the shakuhachi. Exploring the shakuhachi’s capabilities within new settings is one of the best ways to expose new audiences to its distinctive voice, and to encourage more composers to include it in their tonal palette. 

Previously, I sponsored a project called 20-20 Bamboo, where I set out to record 20 new pieces in 2020. The result was the album 20-20 Bamboo, which was released in January of this year - you can check it out here.

So in that same vein, I’m pleased to announce that I’m in the final stages of a project with Dr. Talia Amar, from the Department of Music Theory, Composition, and Conducting at The Jerusalem Academy of Music and Dance (JAMD). You can read about her, and the four up-and-coming composers working with her on this project, below.